Orpheus und eurydice pina bausch biography

But there is one condition. Should he succeed in wrenching his wife from the arms of death, Orpheus must not look at her — nor explain why — before they have returned to this earth. Orpheus is suddenly worried for he has never lied, or been less than utterly honest, to Eurydice before. You may be surprised that these screeching female avengers destined to torment sinners move about more like merely nervous and tired souls yearning for rest.

Having already taken a drink from the river of forgetfulness and feeling rather blissed out, Eurydice is startled by how Orpheus seems both panicked and utterly cold at the same time. Did he come all this way only to turn away from her? Why, then, should she abandon this new « life? In that case, she would rather be dead. Her despair grows, and Orpheus struggles to maintain his self-control.

This situation always makes me think of a very long car ride, where you are stuck in the back and wind up wanting to strangle the driver, there, in the front, with his back to you, who has been feeding you monosyllables for hours. Patrick Artus: 'Donald Trump's various economic policy goals are mutually incompatible'.

Orpheus und eurydice pina bausch biography: Pina" · Bausch (27 July

Michel Slomka's return to Birkenau: 'I'm faced with this square of emptiness'. Paris's Palais Garnier celebrates years of memories and fantasies. Pompidou Center showcases works collected by perennial rebel Jean-Jacques Lebel. A convent and a hotel. Series How do you preserve the work of a dead artist without degrading their vision? Selected performers who worked closely with the legendary German performer teach new dancers the iconic choreographies she left behind.

The German choreographer Pina Bausch died 13 years ago without leaving a will, but she remains furiously alive.

Orpheus und eurydice pina bausch biography: The composer Gluck wrote

See my obit and review of her film on PrimeGlib. Post a Comment. Photo: Stephanie Berger Pina Bausch's Orpheus and Eurydice is one of those rare fully-produced operas led by a choreographer with enough name power to have complete artistic control. And while a handsome artistic totality, perhaps predictably, it showed specific, fairly narrow elements of Bausch's talent.

Backing up a little, even before her premature death inBausch's reputation and legend had been building into its own mythology, and with good reason. The works that BAM where I work brought beginning in the early 80s, and through the mids, formed the foundation: they were unsparing, tough, gritty, sadistic, yet humorous, sensual, and ultimately optimistic about our ability to thrive in the face of adversity, without being as didactic as that just sounded.

These tough works including such pieces as Palermo, Palermo ; Arien ; Gebirge ; Nelken ; and Two Cigarettes in the Dark in the eyes of her many fans forged her reputation as a visionary artist willing to put her dancers through hell and, literally, not so high water, and their willingness to endure her psychological steeplechases. They also paved the way for her subsequent phase, which would last for the remainder of her career— numerous commissioned travelogues about specific cities or cultures that shed most of the darkness that had engulfed her previous output.

They always, however, leave their public in the certainty that - despite all its ups and downs - they will survive life. In the early days his stage sets and costumes had largely shaped the appearance of dance theatre. Following his death his work was continued by Peter Pabst sets and Marion Cito costume.

Orpheus und eurydice pina bausch biography: Pina Bausch was born in Solingen

The spaces created are poetic, with the outside often brought in, the stage expanded into a landscape. And the spaces are physical, affecting the dancers' movements. Water and rain allow the body to be seen through the clothes; earth makes every movement a feat of strength; the dancers' steps are traced in a layer of fallen leaves. The spaces' variety ranges from nineteenth century interiors to bare wooden boards of Japanese minimalism.

The costumes too, can be as elegant as they are absurd, from the refinement of evening dress to the childish delight in dressing up. Like the pieces themselves, stages sets and costume reflect everyday life yet continually exceed it, ascending into dream-like beauty and weightlessness.

Orpheus und eurydice pina bausch biography: Orphée et Eurydice, a major work

The humour and the beauty, often overlooked in the beginning, even when they lay in the apparently ugly, were gradually understood over the years. Slowly it became clear what dance theatre was about; not provocation, but, in Pina Bausch's own words, 'a space where we can encounter each other'. The work, once controversial, eventually developed into a world theatre, which can incorporate all cultural colourations and treats every person with the same respect.

It is a theatre that does not aim to preach, instead creating an elemental experience of life, which each spectator is invited to participate in along with the dancers. This global theatre is generous, relaxed in its perception of the world and thoroughly charming towards its audience. It invites them to make peace with life, and trust their courage to go on living and their own strength.

A mediator between cultures, it is a messenger of freedom and mutual understanding. It is a theatre which remains free of all ideology and dogma, viewing the world with as little prejudice as possible and acknowledging life — in all its facets. Out of the finds brought back from the journey which begins with each new piece, out of the many small scenes and the many dancers — ever more over the years — a global image of enormous complexity is pieced together, full of surprising turns.