Sascha goetzel biography of christopher

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Sascha goetzel biography of christopher: Sascha Goetzel was trained in Vienna.

For Sascha, it is exciting to build an orchestra from scratch, and he feels that this is not something which has been done in Europe and the USA since the 19th century. He mentions with admiration the long period that Simon Rattle was in Birmingham and the way that he built up the CBSO into something rather special. The orchestra is project based, but he has the same group of players who perform each time though he rotates the strings to provide experience for a wider number of players.

He runs the rehearsals in English his own is extremely fluent and he says that the players understand English very well I discover from one of my guides that many of the University courses are run in English. Sascha Goetzel conducting the Borusan Istanbul Philharmonic Orchestra in Haydn's The Seasons - photo credit Ozge Balkan The orchestra does only one or two projects per month in a season which runs from October to May the summer months are too hot in Istanbul.

The players come because they want to rather than because they are obliged which is often the way in the state salaried orchestras and each new project is exciting both for them and the audience. The orchestra was founded to give Turks a greater taste of classical music.

Sascha goetzel biography of christopher: Artistic Director. Borusan Academy. Sept.

Sascha feels that the orchestra's performances often take away the gap between performers and audience, breaking down the fourth wall. But the long gap in the summer means that Sascha has to build his seasons carefully, with the autumn concerts working on known repertoire before introducing a number of challenges and spring is usually around when he brings in the big challenges such has Haydn's The Seasons.

Two years ago, around this time of year, they performed Mahler's Third Symphony and Richard Strauss's Salome in the space of two weeks. He talks of this being one of the most exciting times in the orchestra's season and that the orchestra sounds different after undertaking a big challenge. The orchestra is clearly still learning, and Sascha admits that alongside passages which are amazing there can be some which are only OK, but he feels he needs to give the players room to make mistakes because only then can they learn and grow.

He has been assisted in his training of the orchestra by his father Peter, who had retired after a long career which included being concert master of the Vienna Philharmonic Orchestra. Peter now plays on the front desk of the orchestra one of only four regular non-Turkish players and has helped to bring on the string sound. The players still often lack self-confidence when it comes to the orchestra's playing and their performance at the BBC Proms, with the amazing audience response, was an important milestone in building up confidence.

In a world of instant communications, Sascha sees music not just classical music as an island for the soul, as something different to the rest of the world. In a sense his work in Istanbul is creating more a philosophy of art and culture, rather than simple performance.

Sascha goetzel biography of christopher: En attendant le premier

In this his thoughts echo those of the CEO of Borusan Arts and Culture which runs the orchestraZeynep Hamedi who, when we talked to her see my article on the blogmentioned the idea that to be a citizen of the world you must listen to classical music and that BIPO's performances in Turkey opened a window to see the world in a different way.

Sascha is clearly a conductor who is not only an admirable technician and orchestral trainer which he undoubtedly isbut something who thinks about the role of classical music in the world, and this clearly meshes in with the interesting situation of BIPO performing classical music in modern Turkey. Sascha Goetzel and Borusan Istanbul Philharmonic Orchestra recording their second CD They plan to do more touring, and Sascha admits that they have had offers but that he wants to do it step by step.

And he feels a certain responsibility for finding good repertoire for the tours, not just Brahms and Mahler. And the orchestra is also planning its first big tour of Turkey, to that they will play in the other big cities, taking their island to others. But such planning is difficult as they receive not state funding. Sascha Goetzel. View fullsize.

Nothing sounds blunt or generalized even during the violent crash of the shipwreck. He has raised the artistic level of the orchestra considerably since A wonderful advertisement for more unusual choices.