Yeondoo jung biography of martin luther

YJ I am not a historian dealing with these issues in depth. As I progress with my thoughts, and the more I visit Mexico, I cannot help but include the stories from the history books, because this episode needs to be better acknowledged by the majority of people in Korea and Mexico. But most of all, connecting the seemingly distanced elements — physical distance and time — became a challenge for me as an artist.

I do not wish to deal with binary perspectives or jump to conclusions like showing the similarities or differences between the diasporic and Korean or Mexican communities. I know the danger of seeing history from one perspective or another or giving a message. The last can be easily manipulated through the visualisation. But no one can be free from looking at history without their perspective being shaped by current intentions or interests.

I had to find my balance to use the musical elements from the three countries. AR Do you think that the Korea that diasporic communities of the type mentioned above relate to is the same as the Korea that exists in reality today? Is the effect of diasporic communities to create multiple versions of Korea one, for example, might be the Korea that they or their ancestors left behind, unchanged from that point on?

YJ The variety of society reflects how international they are. But Korean history always emphasises homogenisation because it gives a reason why the South and North need to be unified. We are the same race and the same country. As a result, the change in contemporary society in Korea has been easily ignored, especially people turning their eyes away from the diasporic communities.

AR Do you think the past is a help or a burden when it comes to understanding our present? YJ It has more to do with how we look at the past. Normally, we are, as a matter of fact, only interested if it is a story about us, our family or our society. Also, if it is not about yesterday, this month or this year, you need imagination to reach things that are further from you.

I am interested in that imagination and how sympathy works for people through art. Do you think there is something particular beyond the nationality of the maker about Korean art? And what might that be? YJ Korea is, they say, Far East. My studio is far south of Seoul. So I am in boundaries. Korean art has never been near the centre of the artworld, perhaps until recently.

I do not wish to be considered as like K-Pop. I like to carry the feeling of being at the borderline because I can see things better. AR Do you feel positive about the future? YJ I always try to be positive, because things usually do not flow in a positive direction. ArtReview News artreview. The museum was forced to close and refund visitors.

Charlesworth Reviews ArtReview 24 January The world is a confusing place right now. We believe that faithful proclamation of the gospel is what our hostile and disoriented world needs. Do you believe that too? Help TGC bring biblical wisdom to the confusing issues across the world by making a gift to our international work. Carl Trueman :.

Yeondoo jung biography of martin luther: His work is innocently found

His thinking, while remarkably consistent, does develop over time. He nuances his positions on various issues as he faces challenges which his own Reformation theology generated. Thus, knowing what issues he is facing and when is important when reading him. The benchmark biography of Luther in English is the three volumes by the German historian, Martin Brecht.

Yeondoo jung biography of martin luther: Criticism · Notes ·

These look rather forbidding: nearly pages of text, excluding notes. It was my first introduction to the Reformation and remains a favourite. Bainton was a radical thinker himself, not doctrinally sympathetic to Luther but rather emotionally so: he knew what it was like to be a beleaguered outside, a man at war with his times. References [ edit ].

Yeondoo jung biography of martin luther: ─ Cha Jeamin's Stories of Visible

The Korea Herald. Retrieved ISBN Korean Art from Collision, Innovation, Interaction. Phaidon Press. The Journal of Aesthetics and Art Criticism. New Nature. Govett-Brewster Art Gallery. Workroom Press — via Academia. Third Text. ISSN S2CID Asia Society. Journal of History of Modern Art. Hidden categories: Articles with short description Short description is different from Wikidata Articles containing Korean-language text All articles with unsourced statements Articles with unsourced statements from July