Dattatreya ramachandra bendre biography in kannada language

Far from being a pen name, Ambikatanayadatta represented what Bendre called the "universal inner voice" that dictated his poetry. This spiritual force, which he believed resided within him, became the source of his poetic inspiration.

Dattatreya ramachandra bendre biography in kannada language: Dattatreya Ramachandra Bendre(Kannada:ದತ್ತಾತ್ರೇಯ ರಾಮಚಂದ್ರ Bendre

Bendre often described himself as merely the scribe through which this voice communicated, especially in his Kannada poetry. He explained that Ambikatanayadatta was not just a part of him, but a separate entity, guiding his poetic journey. Bendre's literary achievements were recognized nationally and internationally. Some of his most significant accolades include:.

These awards recognized not only his contributions to Kannada literature but also his ability to capture the essence of human experience and nature through his unique poetic voice. His works covered a range of themes including nature, human emotions, and metaphysical questions. Some of his most significant poetry collections include:.

Dattatreya ramachandra bendre biography in kannada language: Biography of Karnataka kula Thilaka

His mastery over Kannada prosodydeep understanding of Indian classical traditionsand innovative use of Dharwad Kannada set him apart as a unique voice in modern Kannada poetry. In addition to poetry, Bendre also wrote playsessaystranslationsand literary criticismshowcasing his versatility as a writer. His theatrical workssuch as Tirukara Pidugu and Hosa Samsarafurther expanded his influence in Kannada literature.

The Navodaya or new wave of Kannada Poetry was the golden period for Kannadigas as during this time, they got a chance to renew the dormant poetic prowess trapped in the shackles of the British rule. It was this period when the beauty of the language and its poetry reached new heights, rising like a phoenix from the ashes of oppression and indifference.

The notable poets of this era were Srikanthaiah, Kuvempu, Bendre, Karanth, and many others. They broke the limitations imposed upon literature by conventional and orthodox poets and started narrating religious epics in their own way, while trespassing beyond the contemporary or historic Indian society and capturing aspects from other cultures.

His family had many scholars, especially of the Sanskrit Language. His main work was always teaching when he taught at Victoria and then at D. He later became an advisor at All India Radio. Later in his life Dattatrey started a group called as Geleyara Gumpu, which attracted many poets from all over Karnataka. Dattatrey wrote under the penname Ambikatanayadatta, which translated to Datta, the Son of Ambika.

Dattatreya ramachandra bendre biography in kannada language: bendre #darabendre #darabendrespeech your queries:

While he has been criticized by some for the lack of "social concern" in his poetry [ 25 ] and others have called the poetry of the post- Naaku Tanti period incomprehensible and "meaningless wordplay", [ 26 ] there is near-unanimous agreement about the originality and inventiveness of his poetry, his position as the trailblazer of modern Kannada poetry, and his remarkable use of the Kannada language.

Seshagiri Raohas written that it is "doubtful that anybody in Kannada's literary history has explored the Kannada language as comprehensively as Bendre". There is no poet who has not, either directly or indirectly, come within the sphere of his influence. That he showed the way [forward] not just to imitators but to poets possessed of great talent themselves or that he nourished their poetry [with his own] is a matter of importance.

Bendre is the most important poet-creator of this century. Every poet writing now is a child, grandchild, or great-grandchild of Bendre's poetry. Not only has Bendre's poetry become a part of our culture, it has become one with our essence. Gokaka younger contemporary of Bendre's, one of the members of Bendre's "Geleyara Gumpu", and himself a Jnanapitha awardee, confesses in his book, Bendre: Poet and Seer[ 30 ] that it was Bendre's acquaintance that ensured "[Gokak's] muse did not perish in the deserts of Indo-Anglian verse" and goes on to say that "Bendre's poetry has ushered in a tradition of its own in modern Kannada literature Interestingly, Bendre's remarkable poetry for responsible for the critical development of three of Kannada's best-known thinkers, viz.

Keertinath Kurtakoti, Shankar Mokashi, and G. S Amur. Each of these younger-by-a-generation contemporaries of his used his poetry as the whetstone to sharpen their critical acumen on. In doing so, each of them made a notable contribution to modern Kannada criticism. In particular, their insights about Bendre include Mokashi's statement that "of those [Kannada] poets to whose study one may capably and successfully devote a whole lifetime, Shri Bendre is the most modern Meanwhile, G.

S Amur writes in his Sahitya Akademi award-winning book, Bhuvanada Bhaagyathat "no matter what criteria we use to measure Bendre's poetry — vision, richness of language, the ability to create images, the successful use of metre, the variety of poetic style, it is evident that his poetry stands shoulder to shoulder with the poetry of any epic poet who has [ever] lived.

He was undoubtedly the greatest lyrical poetic genius of the century. Written as early asKurtakoti's essay, on the other hand, offers us an understanding of the influence that Bendre's poetry would have on 20th century Kannada poetry and beyond. Kurtakoti says that "from every point of view, Bendre is the leading poet of the age. Later critics can discuss the merits of Bendre's own poetry and the style of its beauty in more detail.

For the time being, all we can is this: that Bendre's poetry is rich in a way that does justice to the Kannada language's natural rhythms, to the present-day's sensibilities, and to the inner-essence of the Kannada literary dattatreya ramachandra bendre biography in kannada language. In this fashion, his Kannada poetic creation has given new life to the Kannada poetic tradition.

When Bendre first began to write poetry, there was nothing before him [to model his poetry on]. But the poets of the future will have Bendre's poetry [to refer to] Bendre himself was not unaware of the depth, range, and brilliance of his poetry. In his foreword to Naaku Tantihe speaks about "the poetry of wordly effort and the poetry of yogic effort" and says that "we must not by holding on tight to the ignorance and egotism of ordinariness give it up to the curse of petrification" before adding that "complexity and incomprehension are the result of one's natural sensibilities.

It is only through comprehensive learning that old bonds can be shaken off, and new relationships created. It may take centuries even. Understanding me is left to the future". Having said this, he quotes Bhavabhuti 's famous "time is endless and the world is large" statement in the foreword to his collection Vinaya and goes on to say that the statement is the maxim a poet has to live by until his readers garner the necessary "cultural capital" that is needed to understand his work.

Bendre's legacy as a popular poet remains secure, mostly on account of the immense popularity of Kannada's bhaavageete tradition and his play with the Kannada language's sound. His poetry, including his post- Naaku Tanti work, also continues to attract new writers and critics. Like Shankar Mokashi once said of Ambikatanayadatta, "[he] will live on forever in Shri Bendre's work.

He will remain a favoured son of the world. As Shri Bendre himself once said about poetry: 'Oh vision seen by the men of god! The script was written by Keertinath Kurtakoti. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item.

Indian Kannada poet. Biography [ edit ]. This section is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. February Learn how and when to remove this message.

Early years [ edit ]. College years [ edit ]. Young Poet [ edit ]. The Evolution of Bendre's Poetry [ edit ]. Ambikatanayadatta [ edit ]. Marriage and Family life [ edit ].

Dattatreya ramachandra bendre biography in kannada language: Dattātreya Rāmachandra Bēndre (31

Bendre and Dharwad [ edit ]. Post-retirement years, old age, and death [ edit ]. Critical reception, influence, and legacy [ edit ]. In popular culture [ edit ]. Awards and honours [ edit ]. Bibliography [ edit ]. Further reading [ edit ]. See also [ edit ]. References [ edit ]. S Bhuvanada Bhaagya. Bengaluru: Priyadarshini Prakashana.

New Delhi: Sahitya Akademi. ISBN C, ed. Shatamaanada Kavite 'Jogi'. Karnataka: Kannada Vishvavidyalaya. Retrieved 11 February Archived from the original on 6 April Retrieved 31 October Da Ra Bendre in English. Archived from the original on 20 September Retrieved 28 January Archived from the original on 27 January Archived from the original on 6 February The Hindu.

Archived from the original on 30 January Archived from the original on 28 August Saahityada Viraat Swaroopa. Dharwad: Samaja Pustakalaya. Archived from the original on 30 September Bendre Kaavya Meemaamse ed. Gari ed. Gari Feather ed. Naaku Tanti Four Strings ed. Bendre Jeevana Parichaya ed. Archived from the original on 13 August Retrieved 29 January Kannada Meghadoota ed.

Moorthi mattu Kaamakastoori ed. Archived from the original on 18 May Nanna Baraha — Nanna Aayke. Sapna Book House. Bendre Mattu Adigara Kavya. Bengaluru: Sapna Book House. Ilidu Baa Taayi. Samaja Pustakalaya. Seshagiri Bendreyavara Kavya ed. Bendre — Poet and Seer ed.